Here's a neat little video my friend Amy and I made the other week. The idea was to make reading a Bible passage a bit more interesting for our church, so we scripted it, she laid down the voiceover (very comical to listen to) and then we drew the objects out together before I scanned and animated them. It was just a bit of fun, but it's always good to do stuff like this.
Sunday, 27 March 2011
Slightly irreverant... but in the good way!
Sunday, 13 March 2011
Quickfire drawings
When I'm at Club Mission, and a bit tired, and too stubborn to go home like a sensible person, and I happen to spy a pen a paper just lying there, I do a bit of drawing to pass the time :) Mostly just the people in the room, sitting and chatting, so generally I only have a few minutes before they move
Just for comparison, my friend Nat's drawing of the same guy is on the right. I love how she drew his nose. And there below are two other friends of mine, Stacey and Joe.
Thursday, 24 February 2011
Ideas I wish were mine
THIS song by the Kinks has been in my head all day long. Which is fine 'cos it's a totally awesome track. But here's why...
11/01/2011
Cop Show
A runaway train of thought.Alan Day investigates the daylight world tag-teaming with Oliver Knight who gumshoes the sleazy after hours. No doubt each mystery climaxes at either dawn or dusk when the pair are united. Theme tune by The Kinks.
I'll get back to what I should be doing now.
Posted by WJC at 12:34
See the original post on WJC''s blog by clicking HERE But seriously, someone HAS to make this show for real.
Wednesday, 9 February 2011
Hourly Comic Day!...
...was actually on Feb 1st, but being me I did mine on the 3rd and didn't even post it until today :). The idea is that every hour you are awake on that day, on the hour, you must draw/comic what has been going on in that hour. Check out loads of far better ones by other artists here
Including my old classmate, Luke Pearson who also did one which you can see here
Anyway, I had a go too, and it was a good challenge to do. It's no Vetruvian Man, the doodles are quick and sketchy, very inconsistent in quality and you can definitely tell the hours where I was tired or fed up with it, but that's the point. It's honest. You can't tinker with it later or add bits in. It is what it is, messy patches and all.
I had to split it into sections to post because it's so long, so do excuse the disjointedness if there is any and we'll see if this works...
(Note: The computer wasn't actually rendering for the entire day, just whenever I sat down to draw! There was actual work inbetween)
Including my old classmate, Luke Pearson who also did one which you can see here
Anyway, I had a go too, and it was a good challenge to do. It's no Vetruvian Man, the doodles are quick and sketchy, very inconsistent in quality and you can definitely tell the hours where I was tired or fed up with it, but that's the point. It's honest. You can't tinker with it later or add bits in. It is what it is, messy patches and all.
I had to split it into sections to post because it's so long, so do excuse the disjointedness if there is any and we'll see if this works...
(Note: The computer wasn't actually rendering for the entire day, just whenever I sat down to draw! There was actual work inbetween)
Thursday, 3 February 2011
Aspiring
I think this is beautiful
It's done using rotoscoping -tracing live film to produce very accurate animations- the same technique used for parts of Snow White and the Seven Dwarves, but they've added in all these extra swoops, and the constructions lines, taking the existing movements and then breaking the laws of physics.
It's done using rotoscoping -tracing live film to produce very accurate animations- the same technique used for parts of Snow White and the Seven Dwarves, but they've added in all these extra swoops, and the constructions lines, taking the existing movements and then breaking the laws of physics.
The Artist as a Young Lady
(Click image to view full size)
Realised I never put this little doodle up here. Just something I was wondering.
I was such an awkward teenager -or at least I felt like I was. But hang in there all you teenage nerds! One day you'll suddenly look down and realise that you have finally grown into your knobbly knees and are, in fact, shaped like a real person!
It's COOKIE TIME!!!
Since having to make more of my own food (plus trying to buy less snacks) I have become majorly attached to making my own cookies. They take about 20mins to make in total, are HUGE and GORGEOUS and I can stash them away for the next week or so. Each batch I make gets better and I would even say that quite often they're better than a lot of shop-bought cookies I have tried ...not to mention much cheaper!
Wow, I sound like the quite the home-maker and I'm only twenty-two!
Wow, I sound like the quite the home-maker and I'm only twenty-two!
(I actually made about eight, but I'd eaten most of them by this point!)
Monday, 31 January 2011
Michelle goes all arts and crafts
...Well kind of. Happy 2011 by the way! This is my first post of the new year, what with being at home for Christmas and still working on this animation project (we're in the final stages of the first video now. It's all getting exciting!) but I thought I'd spare a few minutes for my poor neglected blog.
Also on the topic of hand-made presents, I made one for my Mum's birthday a few months back. We knew she wanted to go in a hot air balloon sometime -but it's one of those things you always mean to do for yourself but never quite get round to, so we thought we'd help get her started. The others all put a little money into the pot and I ... well I made the pot!
Speaking of Christmas, I've not had huge amounts of money to spend on presents this year so my siblings and brother-in-law decided we were going to do a Secret Santa instead. That way we would all get one or two more personal presents for just one person each rather than engaging in the less-than-festive scrum of struggling to buy many cheap presents for absolutely everyone. It worked really well, and my present to my brother was a T-shirt I drew up and had printed for him. Trust me when I tell you that the design made perfect sense to him, however it's still quite a fun image even if you don't understand the joke, so I thought I'd put it up here for you guys to see.
Also on the topic of hand-made presents, I made one for my Mum's birthday a few months back. We knew she wanted to go in a hot air balloon sometime -but it's one of those things you always mean to do for yourself but never quite get round to, so we thought we'd help get her started. The others all put a little money into the pot and I ... well I made the pot!Okay I admit, I bought the jar from a homeware shop but that's my parents flying on that balloon jar and I put them there! I still wish I'd been able to think of a way to put a real 3D balloon on the jar lid, but since I had to post it home my options were pretty limited. Either way, it went down really well (although all parents are biologically disposed to adore any artwork from one of their kids) and it was lovely to tailor-make something for them. I think I'll do this more often! My sister's twenty-first is a few weeks away, that warrants a hand-made present, surely :)
Saturday, 25 December 2010
It's beginning to look a lot like Christmas
A very merry Christmas to you! And I hope you haven't been too put off by the snow being bothersome. I certainly haven't been.
Christmas is meaning something different to me this year than in previous years. I'm trying hard to dodge the bustle of shoppers, and the sugar coating of the nativity story. I'm not even that fond of some of the carols, 'Away in a Manger' among them, it's just to pretty, too unrealistic in comparison to what actually happens in the Christmas story.
Each year it seems to get more and more watered down, described more like a fairy tale. I almost want to duck out of it altogether, and back into past years before there was a red-cloaked Santa. I enjoy the family-orientated side of things as much as the next person, but I just want to take it back to how it was years ago, when there was a little less consumerism, and a little more awareness of good and evil, light and darkness.
I see why we layered the celebration of Christmas over the old yule festivals, and the winter solstice too, since they do have some strong thematic similarities between them. The idea of hope entering the world during it's darkest time, the promise of a new future, a milestone of change. The act of deliberately celebrating winter's end during the darkest, iciest days of the year is one of definace, of planting light amidst darkness, knowing it will shine out. The Bible describes Jesus this way, as the 'Light of the World' that the darkness cannot overcome (John 1:4-5)
For me this time of year, when the cold sets in and we abandon exploration in favour of bundling up indoors, is a time for retreat, introspection, and looking back into the past -rather nostalgically I'll admit. Folk songs and traditional tunes start to take over my playlists -many of my Christmas songs have a darker edge to them.
I love the bare brittle nature of winter too. The beauty in the stark bleakness that falls over everything. The natural end of the year, and the harmony that still exists in the death of the world. So naturally I've been out with my camera.
With all this snow my usual routes were transformed and some photos came out more like Christmas cards. You can view them all on my Flickr page, but theose up here are one or two of my favourites:
Tuesday, 30 November 2010
Projected imagination
Check out this wicked example of video mapping, used on the 600 yr old Astronomical Clock in Prague's Old Town (I've been there! but I wish I'd been able to see this) It was a pretty amazing clock to begin with, but this animation technique takes it to a whole new level
The 600 Years from the macula on Vimeo.
Quoting from the Makula website (translated from Czech):
Video mapping using current technology available in the entertainment industry, a whole new way. The main contents are the projections to cooperate with the selected object and try to break the perception perspective of the viewer. With the projector can fold and stress any shape, line or space. Evocative play of light on the physical object creates a new dimension and changing the view of the seemingly "normal thing". Everything becomes an illusion.
The 600 Years from the macula on Vimeo.
Quoting from the Makula website (translated from Czech):
Video mapping using current technology available in the entertainment industry, a whole new way. The main contents are the projections to cooperate with the selected object and try to break the perception perspective of the viewer. With the projector can fold and stress any shape, line or space. Evocative play of light on the physical object creates a new dimension and changing the view of the seemingly "normal thing". Everything becomes an illusion.
Thursday, 25 November 2010
Sunday, 21 November 2010
A candle-lit dinner
We had a powercut the other day, only for an hour or two but it took out over 850 houses. The whole estate went dark, the streetlights went out, all the way up the main road almost to the university. Fortunately I'm a hoarder so I had 2 large candles my Dad gave me and a box of long thin ones that I use for wax resist drawings, which I snapped in half and set in glasses.
Of course I realised I couldn't heat any food since our oven is electric (I knew there was a reason I preferred gas hobs!) so took my torch and walked into town towards the lights where their grid was still on. It's literally a 1min walk or I wouldn't have chanced it, but it was lovely walking down the street without the street lights on. Of course everyone else was out too, wandering round outside their houses trying to work out if all the streets were down. Amusingly everyone's first respnse was to phone everybody else and tell them about it!
I bought myself some crusty bread for sandwiches, juice and a whole lot of biscuits. I enjoyed a very uncomplicated dinner, lit by a cluster of tiny lights. A nice surreal break from the usual.
Jumpers and... and...
I love autumn. I mean, who doesn't, but I really do. There's something about the crispness of the air, the mist, the biting chill, the golden light that you just don't get at any other time of year, early in the morning or when the sun's coming down, that makes everything glow against the sky. And everything's dying but man is it beautiful.Still jobless, curled up on the sofa in my favoruite jumper -it's a kind of ruddy orange knitted thing I found in a charity shop and took the sleeves in on. A proper cold-weather jumper. I'm watching 'Into the Wild', which I've wanted to see/read for a while now. It's not done yet but so far I'm loving it, enjoying the vaguely sad feeling that if I went into the wild like that I'd just die (much as I still want to take a road trip someday), but that there are other people out there too whose skin crawls at the idea of a life rules by work and objects where everyone has everything they want and it's still not enough, they still don't treat each other right. It's something I worry I'll lose once I get a job, once I have money and the temptation is really there.
Looking for work is weird. I can get by on JobSeekers Allowance but I only get that if I'm looking for a job. I'm more concerned about what I'll do once I get one than whether or not I'll find one, how it will change my life, my time, what I do with myself, what I care about, even the way the contents of my wardrobe will change. But in the meantime applying for work and not getting it can be just as bad. It's hard to stay motivated sometimes, harder to keep a routine going (especially given my preference of late nights over early mornings but it's pretty necessary if you want to avoid a serious case of apathy) and to be on time for things. The last 2 weeks in particular I've been late for almost everything, despite having nowhere else to be. You forget what you are capable of when you try, of working hard, of drawing well, of drawing at all in my case.
But then sometimes it's fine. I enjoy all the time I have, the fact that I can go see people and spend time with them, that I can drop everything and do something else if I want to. And then I wonder if I even want a job.Loving the Non-Dairy Diary It's charming and lovely and makes me smile. And there are pictures like this to the right :
See? Doesn't that just make you want to have a nice day?
Thursday, 28 October 2010
Of Tents and Cathedrals
It came out really well and Al (the groom at the back there) stood up at just the right time. One of the kids at the wedding managed to identify three people in there, so that's got to be a good sign!
Something else I'm liking right now is 'The Pillars of the Earth' they're showing on Channel 4 at the moment. I read the sequel book, 'World Without End', without realising it was a sequel, but I enjoyed the way all the characters lives twist together, and the long period of time it covers. Both the book and the series cover at least 30 years, something you don't see a lot of, and I liked it.
Plus the title sequence is pretty cool.
Tuesday, 26 October 2010
That warm fuzzy feeling...
Well I've been a busy little body lately, partly because I've finally made the official start on my first 'proper' project, by which I mean one where it actually matters that I perform to a professional standard, and also one where I will recieve money at the end. So hoorah for that! Maybe once it's all done I'll put a few things up here, along with some links to the final video which will be viewable online, but until then I'm going to have to sit on it.
Also a busy weekend because two of my friends got married on Sat 23rd (to each other!) so a little flotilla of cars made it's way down the M5 to Oxford for the wedding. I managed to get a little drawing done too, but more on that in the next post.Rather ironically, or at least dichotomously, I found out that my Grandad has suffered a heart-attack while at the reception party. Obviously everyone was a bit scared but he's doing fine. It does kind of throw up the dualistic nature of life on planet earth -these two drastically contrasting events can happen right next to each other. When I told my friend she said (meaning well, bless her) "Wow, it's almost like Four Weddings and a Funeral" to which I rather wryly replied "Sure, except there was only one wedding, and no funeral at all." But I know what she meant.
In addition to all that excitement, I've managed to carve out a little time for some reading and also some arts and craft time! Yeah!
Based roughly on these instructions from the {NewNew} blog I felted a jumper I bought from a charity shop by putting it in the hot wash (and accidentally shrinking it because I forgot to take it out before the spin-dry started), and after some cutting, sewing and generally seamsressing, I produced this:
My hot water bottle fits neatly through the turtleneck and once I tie it closed it is a lovely fuzzy bundle of warmth to rest on during those specially chilly nights -which has been pretty much every night for the past week, so good timing there!
My friend Anna Purver is going to make me a little bird to sew onto it since my own sewing is actually not that pretty. Sturdy, but not pretty, and I can't use a sewing machine either :)
You can see examples of her lovely creations over at her blog, Needles and Buttons, and I think a little fabric bird will make a great finishing touch and add a splash of colour.
Thursday, 21 October 2010
A man who knew where his towel was
"From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie."
~Hokusai
Monday, 18 October 2010
Wearing the Clever Trousers
I seem to be interested in prodigies of late. Geniuses, savants, people of unusual intelligence. I always like to see characters with a brain being appreciated and explored since a lot of attention is usually given to the more athletic and therefore more physically attractive characters. My current favourites are Spencer Reid of Criminal Minds and the boys from The Big Bang Theory but I seem to have picked up a pattern in the films I've been watching lately, and discovering more in them than just admirable intellects.
My favourites seem to deal with the dichotomy of genius, which is that a mental ability in one area can be accompanied by a deficiency in another. Sometimes it's a simple lack in social skills from too long spent outcast from the popular kids, or a mental illness that counterweights their genius, and sometimes is what makes it possible at all (e.g. Reid shows mild signs of Asperger syndrome, and Rain Man's Raymond is autistic)
So here's this week's playlist:
(Titles link to trailers)
Good Will Hunting
When I read the summary I assumed it would be the classic case of 'Lonely Nobody discovers he has Supernatural Abilities. He is now a Hero!' Almost like a superhero, Spiderman maybe. But instead it focussed on something I hadn't considered before- unfulfilled potential.
Will, the protagonist, is incredibly gifted. He can work out problems overnight that took his professors years to solve, he understands mathematics the way Mozart understood music, and can recall hundreds of facts at a moments notice, yet he spends his time working as a janitor in MIT and getting into pointless fights.
When one professor discovers Will's talents he decides that such a great mind cannot be wasted and bails Will out of jail with great ambitions for him, including formal lessons and therapy. However as Will slowly begins to speak with Sean, the only therapist to survive his vicious repartee, we see that it isn't that he is unaware of his own intelligence -on the contrary, he is so aware of it that he deliberately and antagonistically runs mental rings around anyone he meets just because he can- but that he has been so emotionally damaged by his life so far that he refuses to attempt anything he really wants, for fear of losing it.
There's a lot in this movie; the desire for success versus the perceived shame of failure, what happens when the need for recognition takes over, the assumptions we make about other people's lives, how fear can paralyse and isolate us, the effect cruelty and rejection has on people, the cost of abandoning troubled youths to the judicial system, the merits of intelligence versus empathy, and why we need to know ourselves and examine our actions carefully. It's a very moving film in places, funny too, and surprisingly profound in the aftermath. I highly recommend it.
Proof
Catherine Bryggman struggles to make sense of her life following the death of her father Robert, a great mathematician. When a proof is found in her father's study that may resolve an important theory in the mathematical world, and which Catherine claims to have written, she has to come to terms with the fact that as well as inheriting her father's brilliant mind, she may also be carrying the mental illness that haunted him until his death.
The cast is small which makes it very intimate to watch -the play it is based on only has four parts and they mostly keep to that- and the relationships very tangible. I like the quiet of it, the long pauses, the silences it leaves, and the math joke (I'm a sucker for a nerdy pun). While Proof deals with the same topic as A Beautiful Mind, that of fearing your own mind, I think I prefer Proof for keeping it small-scale and personal rather than going for the career-spanning grandiose air that A Beautiful Mind has, although each is justified in it's filming style for the story it tells, it's just a matter of taste.
A Beautiful Mind
John Forbes Nash Jr. is one of those guys whose ideas and discoveries are behind a lot of the processes we take for granted today. His work as a mathematician focussed on using maths to describe and analyse human behaviour and strategies, and the patterns and effects caused by variations in the environment (please excuse my Laymen's, all those with better understanding of it). He also suffered from paranoid schizophrenia. Many people get schizophrenia confused with multiple personality disorder (I did until I looked it up), where the sufferer switched between personalities, but schizophrenia is more like switching between versions of reality. The sufferer experiences things that simply are not there, hallucinations and delusions, while often appearing perfectly normal in all other ways.
For most of his career Nash struggled against the advance of the illness, and the film (based on the book of the same title) shows him trying to reconcile with the fact that his most treasured possession, his mind, is also the source of his greatest suffering. It's a window, albeit a decorated and slightly Hollywood-ised one, into the fascinating life of one remarkable man, and just how resilient humans can be.
Rain Man
This is supposed to be one of those films that 'Everyone Has To See', so I gave it a go. For the impossible few that haven't heard of it the story revolves around Charlie Babbit, a young man very bitter towards his estranged and recently deceased father, who discovers that he has an older brother, Raymond, who is autistic and living in a care home. Their father bequeathed three million dollars to Raymond in his will, only leaving Charlie his old car, so in an effort to claim 'his share' Charlie hits the road with Raymond, hoping to use him as leverage. However the more time he spends with his brother, the more his attitude changes towards both Raymond and himself.
Rain Man doesn't really fit my genre since it's more about Charlie learning how to be loyal, compassionate and generally less of a selfish ass than he was before than it is about his brother's genius, Raymond is just the catalyst that begins that transformation and it is his disabilities that are the real focus.
In that sense Raymond's mind isn't really explored much, but the portrayal of autism has been highly praised and that's important because this is the other way of approaching the topic. The other movies (Proof and A Beautiful Mind in particular) show highly intellectual people holding the fort of cleverness against the onslaught of mental illness or emotional trauma and for the most part succeeding. Rain Man approaches it from the other end of the spectrum. Raymond has never fought as John and Catherine fought, because from the moment he was born he was already lost to autism, but rather than portray him as someone to whom mental illness represents a long fall into darkness Raymond is shown as a complete person, and not a lesser one for being autistic. He is eccentric and bound by the need for routine, but he is complete. Moreso than Charlie in many ways, and as he learns to recognise Raymond as a valuable human being he has a connection with, Charlie is humanised in turn.
My favourites seem to deal with the dichotomy of genius, which is that a mental ability in one area can be accompanied by a deficiency in another. Sometimes it's a simple lack in social skills from too long spent outcast from the popular kids, or a mental illness that counterweights their genius, and sometimes is what makes it possible at all (e.g. Reid shows mild signs of Asperger syndrome, and Rain Man's Raymond is autistic)
So here's this week's playlist:
(Titles link to trailers)
Good Will Hunting
When I read the summary I assumed it would be the classic case of 'Lonely Nobody discovers he has Supernatural Abilities. He is now a Hero!' Almost like a superhero, Spiderman maybe. But instead it focussed on something I hadn't considered before- unfulfilled potential.
Will, the protagonist, is incredibly gifted. He can work out problems overnight that took his professors years to solve, he understands mathematics the way Mozart understood music, and can recall hundreds of facts at a moments notice, yet he spends his time working as a janitor in MIT and getting into pointless fights.
When one professor discovers Will's talents he decides that such a great mind cannot be wasted and bails Will out of jail with great ambitions for him, including formal lessons and therapy. However as Will slowly begins to speak with Sean, the only therapist to survive his vicious repartee, we see that it isn't that he is unaware of his own intelligence -on the contrary, he is so aware of it that he deliberately and antagonistically runs mental rings around anyone he meets just because he can- but that he has been so emotionally damaged by his life so far that he refuses to attempt anything he really wants, for fear of losing it.
There's a lot in this movie; the desire for success versus the perceived shame of failure, what happens when the need for recognition takes over, the assumptions we make about other people's lives, how fear can paralyse and isolate us, the effect cruelty and rejection has on people, the cost of abandoning troubled youths to the judicial system, the merits of intelligence versus empathy, and why we need to know ourselves and examine our actions carefully. It's a very moving film in places, funny too, and surprisingly profound in the aftermath. I highly recommend it.
Proof
Catherine Bryggman struggles to make sense of her life following the death of her father Robert, a great mathematician. When a proof is found in her father's study that may resolve an important theory in the mathematical world, and which Catherine claims to have written, she has to come to terms with the fact that as well as inheriting her father's brilliant mind, she may also be carrying the mental illness that haunted him until his death.
The cast is small which makes it very intimate to watch -the play it is based on only has four parts and they mostly keep to that- and the relationships very tangible. I like the quiet of it, the long pauses, the silences it leaves, and the math joke (I'm a sucker for a nerdy pun). While Proof deals with the same topic as A Beautiful Mind, that of fearing your own mind, I think I prefer Proof for keeping it small-scale and personal rather than going for the career-spanning grandiose air that A Beautiful Mind has, although each is justified in it's filming style for the story it tells, it's just a matter of taste.
A Beautiful Mind
John Forbes Nash Jr. is one of those guys whose ideas and discoveries are behind a lot of the processes we take for granted today. His work as a mathematician focussed on using maths to describe and analyse human behaviour and strategies, and the patterns and effects caused by variations in the environment (please excuse my Laymen's, all those with better understanding of it). He also suffered from paranoid schizophrenia. Many people get schizophrenia confused with multiple personality disorder (I did until I looked it up), where the sufferer switched between personalities, but schizophrenia is more like switching between versions of reality. The sufferer experiences things that simply are not there, hallucinations and delusions, while often appearing perfectly normal in all other ways.
For most of his career Nash struggled against the advance of the illness, and the film (based on the book of the same title) shows him trying to reconcile with the fact that his most treasured possession, his mind, is also the source of his greatest suffering. It's a window, albeit a decorated and slightly Hollywood-ised one, into the fascinating life of one remarkable man, and just how resilient humans can be.
Rain Man
This is supposed to be one of those films that 'Everyone Has To See', so I gave it a go. For the impossible few that haven't heard of it the story revolves around Charlie Babbit, a young man very bitter towards his estranged and recently deceased father, who discovers that he has an older brother, Raymond, who is autistic and living in a care home. Their father bequeathed three million dollars to Raymond in his will, only leaving Charlie his old car, so in an effort to claim 'his share' Charlie hits the road with Raymond, hoping to use him as leverage. However the more time he spends with his brother, the more his attitude changes towards both Raymond and himself.
Rain Man doesn't really fit my genre since it's more about Charlie learning how to be loyal, compassionate and generally less of a selfish ass than he was before than it is about his brother's genius, Raymond is just the catalyst that begins that transformation and it is his disabilities that are the real focus.
In that sense Raymond's mind isn't really explored much, but the portrayal of autism has been highly praised and that's important because this is the other way of approaching the topic. The other movies (Proof and A Beautiful Mind in particular) show highly intellectual people holding the fort of cleverness against the onslaught of mental illness or emotional trauma and for the most part succeeding. Rain Man approaches it from the other end of the spectrum. Raymond has never fought as John and Catherine fought, because from the moment he was born he was already lost to autism, but rather than portray him as someone to whom mental illness represents a long fall into darkness Raymond is shown as a complete person, and not a lesser one for being autistic. He is eccentric and bound by the need for routine, but he is complete. Moreso than Charlie in many ways, and as he learns to recognise Raymond as a valuable human being he has a connection with, Charlie is humanised in turn.
Friday, 15 October 2010
Bowing and scraping
Hello hello, I'm still alive. Apologies for the long absence, up here in the university town of Loughborough we have been having Freshers Week (fortnight!) so a hundred and one things have all been crying out for my attention.
As a peace token I offer you this picture of a funny man.
I drew it as a commission for a friend, and she was very specific about what the style, colours, everything was going to look like, right down to the exact tone of red for the background. It's just a straightforward portrait but I rather like it. He changed a bit from the sketching stage when he was a lot more angular and stylised. Billy Connolly is a very funny guy, but darn it when you break his face down into it's constituent parts he has got some scary features!Here he is in sketch stage and a different style that got rejected for the final version, with his squinty little eyes, big black eyebrows and some pretty awesome hair. I do like drawing longer hair, it's just more fun.
Tuesday, 21 September 2010
Mushroom City!
Home of the Mushroom People!!
I went walking in the woods again. Most of the fruits, seeds and berries are gone by now, but everywhere there are mushrooms. Massive massive mushrooms of infinite variety, in clusters and standing on their own like miniature trees. I know better than to touch any of them, but I took lots of pictures and have been having fun trying to identify them.
I went walking in the woods again. Most of the fruits, seeds and berries are gone by now, but everywhere there are mushrooms. Massive massive mushrooms of infinite variety, in clusters and standing on their own like miniature trees. I know better than to touch any of them, but I took lots of pictures and have been having fun trying to identify them.
Sunday, 19 September 2010
The Problem of Pain
Street Pastors again. Tonight made more sense to me, I got to go out with some of the guys I trained with, which was fun, and despite some spitty rain the night had a really good vibe to it. We met a lot of people; Sylvia the Big Issue Lady was out as usual, selling roses, some groups of lads who thanked us for being there, and some girls who were stunned by the fact we were giving away flipflops for free. Oh, and check out our new stash. It's a bit swish and very warm due to the big fat fleecey layer on the inside.
And one lady, who is now engraved in my brain. We bumped into her when the lads we were talking to started involving her in the conversation and told her who we were. She muttered something about Christians being fake to her friend, then looked at us, straight-mouthed, and said "Okay, I'm going to ask this to all of you and see if you all answer the same. I've had eight miscarriages." My demeanor changed instantly, blocking out the lads round us. It was time to be serious. "I've got six kids, but I've had eight miscarriages. So tell me, what kind of a God does that?"
"Yeah," one of the boys chipped in, "how come pedophiles and murderers can have families, but good people always die."
What do you say when faced with a question like that? This is the kind of problem that has been a major sticking point about the idea of God with a lot of people since it first came up; why do bad things happen? C.S. Lewis wrote a book about it, The Problem of Pain, after the death of his wife.
I know many women who have suffered miscarriages, my mother is one of them, and even the idea of it is awful to contemplate. In my life so far there has been and is an answer to pain, and God is it, but it's not something you can explain to someone. Rather it's something a person has to experience themselves, a journey they take on their own, and the reason for this is that it's so intensely personal. No one, however much they might want to, can feel another person's pain, can understand it fully, or can heal it for them. It's a long conversation, often a fight, between man and God to try and make sense of the world again.
So here I am, faced with this woman who is clearly hurting very badly, and I know that nothing I can say is going to fix this for her. In fact all I can think of are things I very badly want not to say:
1) I don't want to try to tell her that it will get better eventually, or about these women I know who have come through miscarriages (one couple, six of them) closer to God than ever.
2) I don't want to patronise her with meaningless platitudes about how good God is when right now she probably hates his guts. That would most likely just make things worse.
3) It's probably not the right time to point out that miscarriages aren't just a smiting, there are often numerous and complex reasons for them including genetics, biology and her own life choices. How much more insensitive could you get?
Worst of all, with all these lads around us yelling and cutting in, even if I had the time this isn't the place, not for something this delicate. What can I do?
"It must be so hard," I said seriously, trying to keep eye contact with this boys jumping around everywhere. "I'm so sorry."
She asks me essentially the same thing again, and I reply the same, adding that it's not really something I can explain for her. The lad from before chips in again.
"Is it maybe to inspire the rest of us to try and be better, or to make us appreciate life?"
I said "Maybe."
I'm getting a bit of this at the moment from various places. People have troubles in their lives from day-to-day, I have troubles (somewhat smaller just now, thankfully) in my own, the Pope is visiting which is making a lot of people cross and they want to tell me so (although I didn't invite him! I'm not entirely keen on it either), I recently saw a televised debate on the Catholic church and whether or not it's a Force for Good. (Anne Widdecombe says it is -she is always fun to watch and I like her hard-headedness in debate- and Stephen Fry says it isn't -he made an excellent arguement and I have a lot of time for his opinions- I found Hitchens a bit arrogant and Onaiyekan a bit simple, bar his closing statement, and the outcome should give everyone a lot to think about)
Additionally my housemate is reading the God Delusion (which I do not think is watertight from the section I've read) and I want to borrow it from her when she's done and go through it properly myself, but I am not a fan of Dawkins; not because of his atheism but because I find him to be antagonistic and a whinger (sorry, Richard, but I do).
All in all, a lot of people seem to be telling me how rubbish Christianity/Christians are lately, and how rubbish various churches are, and not many of them are being polite about it. And I'm not sure they're all wrong either.
I'm one of those people who tries to see the good in things, even if there's not much there to start with. It's not blind faith, I made sure of that, but I started considering that side of things because I want to live with a certain attitude to the world around me. It's what gives me my underlying joy about life, but it doesn't mean I'm blind to problems. There are a lot of them. Everywhere. Yes, in the church, in this town, in me. Maybe because I make so many mistakes myself I can appreciate how easy it is to let fear of reprisals and people's opinions stop even large organisations from doing the right thing, but that doesn't change their actions.On the news I see nothing but problems, many that I cannot fix except to be indignant and angry on behalf of people I've never even met, which does them little help.
My instinct is to defend the good and try and bring it out, but sometimes there is nothing to defend. Because when someone is angry about molested children and the institutionalised denial of it, there is nothing you can say. And when a religion loses it's heart to putting human beings in a hierarchy and the practise of mere tradition, there is nothing you can say. And when a hurting woman mourns her unborn children there is nothing you can say. When they shout at you and insult the God you love because they feel wronged by his people there is nothing you can say. You represent the institution of the international Church in their eyes, and God, and every other Christian on the planet. For just a few seconds you are all of these people, and you must answer for all of them.
Sometimes you shouldn't say anything. You shouldn't defend and you shouldn't fight for it. Because it is bad, and you can't make it better with words.
Sometimes you should just acknowledge the problem, let them hate you, and shut up.
The woman berates us a bit more. I nod and don't smile, and I tell her "It must be awful. I'm so sorry." When she left she seemed less angry, but I don't really know.
And one lady, who is now engraved in my brain. We bumped into her when the lads we were talking to started involving her in the conversation and told her who we were. She muttered something about Christians being fake to her friend, then looked at us, straight-mouthed, and said "Okay, I'm going to ask this to all of you and see if you all answer the same. I've had eight miscarriages." My demeanor changed instantly, blocking out the lads round us. It was time to be serious. "I've got six kids, but I've had eight miscarriages. So tell me, what kind of a God does that?"
"Yeah," one of the boys chipped in, "how come pedophiles and murderers can have families, but good people always die."
What do you say when faced with a question like that? This is the kind of problem that has been a major sticking point about the idea of God with a lot of people since it first came up; why do bad things happen? C.S. Lewis wrote a book about it, The Problem of Pain, after the death of his wife.
I know many women who have suffered miscarriages, my mother is one of them, and even the idea of it is awful to contemplate. In my life so far there has been and is an answer to pain, and God is it, but it's not something you can explain to someone. Rather it's something a person has to experience themselves, a journey they take on their own, and the reason for this is that it's so intensely personal. No one, however much they might want to, can feel another person's pain, can understand it fully, or can heal it for them. It's a long conversation, often a fight, between man and God to try and make sense of the world again.
So here I am, faced with this woman who is clearly hurting very badly, and I know that nothing I can say is going to fix this for her. In fact all I can think of are things I very badly want not to say:
1) I don't want to try to tell her that it will get better eventually, or about these women I know who have come through miscarriages (one couple, six of them) closer to God than ever.
2) I don't want to patronise her with meaningless platitudes about how good God is when right now she probably hates his guts. That would most likely just make things worse.
3) It's probably not the right time to point out that miscarriages aren't just a smiting, there are often numerous and complex reasons for them including genetics, biology and her own life choices. How much more insensitive could you get?
Worst of all, with all these lads around us yelling and cutting in, even if I had the time this isn't the place, not for something this delicate. What can I do?
"It must be so hard," I said seriously, trying to keep eye contact with this boys jumping around everywhere. "I'm so sorry."
She asks me essentially the same thing again, and I reply the same, adding that it's not really something I can explain for her. The lad from before chips in again.
"Is it maybe to inspire the rest of us to try and be better, or to make us appreciate life?"
I said "Maybe."
I'm getting a bit of this at the moment from various places. People have troubles in their lives from day-to-day, I have troubles (somewhat smaller just now, thankfully) in my own, the Pope is visiting which is making a lot of people cross and they want to tell me so (although I didn't invite him! I'm not entirely keen on it either), I recently saw a televised debate on the Catholic church and whether or not it's a Force for Good. (Anne Widdecombe says it is -she is always fun to watch and I like her hard-headedness in debate- and Stephen Fry says it isn't -he made an excellent arguement and I have a lot of time for his opinions- I found Hitchens a bit arrogant and Onaiyekan a bit simple, bar his closing statement, and the outcome should give everyone a lot to think about)
Additionally my housemate is reading the God Delusion (which I do not think is watertight from the section I've read) and I want to borrow it from her when she's done and go through it properly myself, but I am not a fan of Dawkins; not because of his atheism but because I find him to be antagonistic and a whinger (sorry, Richard, but I do).
All in all, a lot of people seem to be telling me how rubbish Christianity/Christians are lately, and how rubbish various churches are, and not many of them are being polite about it. And I'm not sure they're all wrong either.
I'm one of those people who tries to see the good in things, even if there's not much there to start with. It's not blind faith, I made sure of that, but I started considering that side of things because I want to live with a certain attitude to the world around me. It's what gives me my underlying joy about life, but it doesn't mean I'm blind to problems. There are a lot of them. Everywhere. Yes, in the church, in this town, in me. Maybe because I make so many mistakes myself I can appreciate how easy it is to let fear of reprisals and people's opinions stop even large organisations from doing the right thing, but that doesn't change their actions.On the news I see nothing but problems, many that I cannot fix except to be indignant and angry on behalf of people I've never even met, which does them little help.
My instinct is to defend the good and try and bring it out, but sometimes there is nothing to defend. Because when someone is angry about molested children and the institutionalised denial of it, there is nothing you can say. And when a religion loses it's heart to putting human beings in a hierarchy and the practise of mere tradition, there is nothing you can say. And when a hurting woman mourns her unborn children there is nothing you can say. When they shout at you and insult the God you love because they feel wronged by his people there is nothing you can say. You represent the institution of the international Church in their eyes, and God, and every other Christian on the planet. For just a few seconds you are all of these people, and you must answer for all of them.
Sometimes you shouldn't say anything. You shouldn't defend and you shouldn't fight for it. Because it is bad, and you can't make it better with words.
Sometimes you should just acknowledge the problem, let them hate you, and shut up.
The woman berates us a bit more. I nod and don't smile, and I tell her "It must be awful. I'm so sorry." When she left she seemed less angry, but I don't really know.
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